In an interview with The Hollywood Reporter, Ryan Tedder, a songwriter and the frontman of OneRepublic, once said: “With iPhones, nobody has an excuse for writer’s block. If you’re at Whole Foods getting your green tea extract and you have a melody, you just drop it into your voice memo and save it for later.” Going along with Ryan’s idea, if you have stockpiles of melodies and song snippets saved in your phone, go back to listen to them and you might find your “diamond in the rough” idea that will kickstart a new song for you.
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With three heavy-duty club EPs under his belt, the Cairo-based producer dropped his debut full-length Terminal in late 2018. It’s a dense, intricate listen that meshes hip-hop, IDM, and ambient music. ZULI’s skills as a producer are constantly on display through his unique choice of textures and his intricate, obsessive rhythms. He never loses the streetwise attitude though.
90 gangsta rap
Evan Zwisler is a NYC-based musician who is most notably known for his work with The Values as a songwriter and guitarist. He is an active member of the Brooklyn music scene, throwing fundraisers and organizing compilations for Planned Parenthood and the Anti-Violence Project. He started playing music in the underground punk scene of Shanghai with various local bands when he was in high school before going to California for college and finally moving to New York in 2012.
As producers, we need to be open to letting collaborators steer the ship for us every now and then. Without giving our music that freedom, we run the very real risk of sounding stale. Any track I’ve made that I am truly proud of has featured someone doing something I can’t do myself and in a way that makes rethink the composition process entirely. We should strive to surround ourselves with those whose skills and visions are different from our own. And it’s up to us to adapt their contributions in order to suit our overall vision and take our music to new heights.
This would also be a good place to bring up that some music theory people don’t consider two-note intervals “chords.” But my take on that whole controversy is that, when naming things, it should be taken into account how our brains ascertain tonal information based on everything we’ve heard before, in all of music. It’s just something our brains do, so why deny it because we selfishly want a more tidy nomenclature?
Explore Soundfly’s wide array of free online courses and expand your musical skills over your lunch break! Here’s just a few free courses you can choose from: How to Create a Killer Musician Website, Theory for Bedroom Producers, Touring on a Shoestring, and How to Get All the Royalties You Never Knew Existed.
Some musicians believe that if they make great music, everything else around their career will be taken care of; and this is a huge mistake. The truth is that no one should be more concerned about the non-musical aspects of your career than you. This means paying attention to things like song royalties, licensing agreements, and the details of every contract you sign. You don’t need to be a legal expert to be a musician, but having a passive attitude about the less flashy aspects of your music career can lead to devastating consequences.
So this capital gains classification for catalog sales is a major boon. But note that it only applies to sales. Royalty income, advances, etc. all count as regular income.
This course will get you composing, recording, and editing both audio and MIDI, as well as manipulating effects in Logic Pro X fluidly. You’ll get comfortable navigating around the environment and using Logic’s many features to express yourself creatively, while creating a consistent body of new work with support from your Soundfly Mentor over six weeks.
At the moment, no. We plan on buying our own press in order to produce short runs of records for artists and labels with a smaller community or that simply want to produce very limited editions. But currently, our aim is not to manufacture records but rather to offer services to guide and support labels and artists in their production process. We outsource everything, and we’re working on developing our networks of partners in order to be able to propose the most appropriate partner for each project.
Having to work in such a competitive industry, it is common for musicians to feel unsure of themselves at times. Being so heavily reliant on an audience, they also understandably worry about being judged by them. Many professional vocalists are also just shy of singing in front of people. One such incredible singer was David Bowie. Bowie expressed his shyness in an interview in 2013, shortly after he returned to the stage after a long hiatus. He said:
My most memorable musical experience might still be my musical beginnings—three young teenagers in a basement trying to figure out how to play “Highway to Hell” and not totally suck—and loving every second of it.